Friday June 21, 2019

Here’s the trailer for season 5 of The Affair.

And a new one for season 3 of Stranger Things.

All 5 episodes of The Bravest Knight are available on Hulu. T.R. Knight, Bobby Moynihan, Storm Reid, and others voice characters in this new animated series about two gay dads, Sir Cedric and Prince Andrew, and their daughter, Nia, who’s learning about Cedric’s youth as a pumpkin farmer and his adventures to become T.R. the bravest knight. Not my cup of tea, but have at it.

All 8 episodes of season 2 of Dark are up on Netflix.

Season 1 of Mr. Iglesias are now available to stream on Netflix. Here’s the trailer if you want to gauge your interest.

The 500th episode of Real Time With Bill Maher airs tonight on HBO. More below.

Here’s a look inside the Big Brother house in advance of next week’s season premiere. “The house itself is taking on a summer camp theme, with the contestants living in a contemporary A-frame styled cabin lodge. Check out the video to get your first gander at it. You’ll also get to meet Bucky the Buck and get a glimpse at a potential twist in the game. What are these mysterious merit badges of which Julie speaks, and could they play a role this season? Oh, the intrigue! Watch for yourself and then June 25 to see what happens when the 16 houseguests move in.”

AXS TV has set a September premiere date for Paul Shaffer Plus One, starring the Grammy-winning and Emmy-nominated musician, composer, author and TV personality. The weekly 30-minute program will kick off its eight-episode inaugural season on Sunday, September 15 at 8 PM.”

Actress and comedian Arielle Vandenberg is set to host Love Island, premiering July 9 on CBS. The series, based in the U.K. format, follows an ensemble of singles on a remote island as they date and compete in challenges with a cash prize awarded to the final couple left standing.

Vanderpump Rules’ production has been put on hold.

E! has renewed Total Bellas for a 5th season.

“The upcoming Netflix prequel to the beloved 1982 fantasy film The Dark Crystal will reveal some previously unknown secrets about the world of the Skeksis and the Gelflings — but there are even more secrets to be uncovered. Starting this fall, Boom! Studios will be telling more of the story in the new comic book series Jim Henson’s The Dark Crystal: Age of Resistance. The 12-issue series, written by Nicole Andelfinger (Adventure Time) with art by Matias Basla (Sparrowhawk), will explore the history of characters and events referenced in the new Netflix series, as one Gelfling soldier undertakes a quest for a mysterious item that could bring peace to the land of Thra once and for all — unaware that his mission will change the realm forever in ways he can’t even imagine.”

Matt Lauer’s Hamptons mansion is on the market for a cool $44,000,000. “The stunning, gated property sits on 6.2 landscaped acres, with 300 feet on the ocean. The 12-bedroom, 12-bathroom mansion dates to 1902 and has been restored in what sources call ‘eco-chic.’ The property includes a separate tea house on the edge of a pond with a bridge, plus its own basketball court, a private deep-water dock and a pool that faces Peconic Bay. The property was first listed at $65 million when it came to market in 2013.”

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Per Variety, “Bill Maher isn’t sure what he’ll do if Donald Trump is re-elected president next year.

“‘I feel exhausted by this man and by working so hard every week to try to find some new angle,’ Maher told Variety of his frustration over how much Trump now consumes his show — and his life. ‘The prospect of another four years of having to do it looms over me like the sword of Damocles. I cannot tell you how much anxiety that causes me.’

“Maher has hosted his Emmy-nominated weekly HBO series Real Time since 2003, and the show (now in its 17th season) celebrates its 500th episode this Friday, June 21. Born less than a year after ABC canceled Politically Incorrect, Real Time evolved from that format to focus more on conversations, mostly about politics, with guests from both the celebrity and political world, and from all sides of the political spectrum.

“Right now, that means most of the conversation revolves around Trump — and whether the Democrats will be able to organize enough of a message and a strategy to take him on next November.

“As he prepared to host his 500th Real Time, Maher spoke to Variety about the evolution of him and the show, as well as how he often angers liberal audiences as much as he does conservatives (and why he wears that as a badge of honor). He also addressed a recent on-air debate with Rep. Katie Porter (D-Calif.), how he doesn’t encounter conservative audiences, whether anything has changed under HBO’s new WarnerMedia/AT&T leadership and whether he fears saying or doing something that gets him canceled — like what happened with ABC in 2002.

“The host has often courted controversy — including a 2017 episode that got him into some hot water for referencing a racial slur — but he also notes that controversy is part of the Bill Maher brand. ‘If it ends with me getting canceled or fired, I’ve been through that before,’ he said. ‘All I know is the technology keeps changing, and every time it does, all I hear is, “But they need content.” Well, I’m content, so I think I’ll be okay.’

“A transcript of that interview, edited for length and clarity, follows:

Anniversaries can be arbitrary, but what does 500 episodes of Real Time mean to you and the show?

It’s my life just going way too quickly. I feel like I just began, so I don’t know how we got to 500. I guess that there is a niche that I’ve been filling. My theory on show business is always do something no one else is doing. Don’t try to do something that other people are doing and don’t put out a jazz album if you’re a rock band, don’t do a serious dark drama if you’re the funny guy. Do what they want. It’s not that complicated, show business.

Real Time”evolved into much more sophisticated conversations than you had on Politically Incorrect. How would you say the evolution of you in late night has coupled with your evolution as just a person and as a comedian?

It is an evolution. When you think about the fact that I’m 63 and when Politically Incorrect went on, I was 37. You’re just a completely different person. Your character hopefully is the same, but I always tell younger people when they’re asking me about the future, “Look, don’t stress it too much because you’re going to be in a completely different circumstance basically every decade of your life.”

In my twenties, my goal was don’t fail, don’t be one of the comedians who is not going to get a career out of this because you’ll be miserable through your whole life. You’re always growing and evolving, so I’m such a different person at this age than I was in my thirties and that can only be reflected in the show. “Politically Incorrect” was designed to be a train wreck. It was supposed to be almost a parody of a talk show. It was confrontational by design and it was on every night.

And then when I moved to this show it was a whole different thing. It was less celebrity-oriented. [Viewers] want a good serious conversation, and I think what’s different about our show is that it is a conversation that invites all points of view. And mostly what you see when people in the entertainment side of political discussion are doing it is a complete 100% pandering to the liberal point of view no matter what it is, and I’m a liberal. But I’m not afraid to take them on, and I think that is the difference.

On last week’s episode, you and George Will both lamented that there just aren’t many open minds anymore.

I think the frustration for me is more the studio audience than the people on the panel. The audience is more part of the problem. I think we have in this country extreme tribalism, meaning, “I’m on the blue team, I don’t even listen to what the red team is saying. Whatever they’re saying is abhorrent to me and I don’t even entertain it.” So when I go someplace that’s even a little outside the completely approved group think of the left there is always pushback. That’s frustrating to me because I would like to have a more open conversation. It’s very hard for me to even get the conservatives who come on our show to stick to their guns because that audience is so intimidating. No one likes to be booed, no one likes to be groaned at, no one likes to be laughed at.

What is it like for you when you encounter conservative audiences?

I don’t. I never do. When I play my concerts around the country doing standup, the entire audience is an audience that hates Trump and they’re going to laugh hysterically at all the Trump jokes. I love playing the Midwest, the south, because wherever I go, I’m going to get liberals. I played Alabama, I’m going to get a liberal audience. There’s liberals everywhere. You just don’t hear about them because they’re outnumbered. But in a lot of those places in the middle of the country and in the south, they’re more old-school liberal. They’re more in line with my thinking. They’re not part of the ultra woke left that I feel has become a kind of a cancer on progressivism.

Do you wish you had more conservatives in your audience?

I do face liberal audiences who, when I go outside those group-think boundaries, there is groaning and booing sometimes, and I don’t care. That’s my brand. It’s always been that way. The show was called Politically Incorrect, and they don’t really hold it against me, and I don’t hold it against them. My bond with my audience is that I’m always going to tell you what I think. I’m not going to pander or be intimidated by what you think, and that’s okay.

When I first went on TV, they said, you can’t even host a show if you give your political opinions because that was the template that talk show hosts had always gone by. That was Johnny Carson. That was Steve Allen. Even Leno and Letterman were doing that. You don’t tell the audience your politics because you’ll alienate half of them. I said, “Let’s give it a try. Maybe people can hear an opinion they don’t agree with and still like you,” and it turned out they can.

You had a bit, recently, where you said that the Democrats, they need a coach. Comedians have come up with some great ideas that, if these campaigns actually used them, could actually impact messaging. Why aren’t they listening?

Some of the things I’ve said just this year, or the last few years, they have picked up on. For example, I’ve been saying since before Trump took office that he was not going to leave if he didn’t win the 2020 election. Well now, they’re all saying that. Michael Cohen testified to that. Nancy Pelosi said that.

When I first went on the air, I was always talking about things like, pot should be legal. Especially when we got on ABC, they went ape shit over that. “You can’t say that.” Religion, again, something that I think a lot of the country has come around on. All you can do is put these ideas out there and slowly, over time, I think people come around, and I think we’re seeing that.

You often say you wish you didn’t have to constantly talk about Trump, but he takes up all the oxygen these days. How difficult is it not to talk about him and everything going on?

It’s the question that’s on my mind every week doing this show. I think I have a bonding with so many people in America now because we find ourselves in the same place, which is you don’t want to ignore it because that would mean you’re a bad citizen. You can’t just let it happen. You have to try your best to pay some attention because you can’t let it become normal.

But on the other hand, you can’t watch it all the time or else you go crazy. The more you see something, the more normal it becomes, and you can’t let it become normalized. So you’re caught in this terrible middle ground. I don’t have a great answer for that. All I know is if he wins a second term, I don’t know what I’m going to do.

What would happen?

Obviously, I’m against it for all the right reasons, as far as what’s good for this country. But, I also have very personal reasons why a second term would depress me so much. You can only make so many jokes, and I feel like I’ve already made them. I don’t want to write another four years of bad hair jokes.

There’s so many things about Trump, and yet we’ve exhausted all of them. Most politicians have one thing. Bush was stupid, and Clinton was horny and Chris Christie’s fat. Trump has everything. He’s fat, and he has a mushroom penis, he has terrible hair, he’s a racist, he’s corrupt, he’s stupid, and he’s horny. He’s everything. And yet, I still feel like we’ve exhausted it because we were making jokes about him before he was president. I looked back, we put it in our anniversary show. There were jokes about Donald Trump being president in the ’90s that we were doing.

I feel exhausted by this man and by working so hard every week to try to find some new angle. The prospect of another four years of having to do it looms over me like the sword of Damocles. I cannot tell you how much anxiety that causes me.

You mentioned that you get in trouble with with liberal audiences when you take on the “social justice warrior” issues and how Democrats manage to shoot themselves in the foot. But you seem to wear riling them up as a badge of honor.

Very much I wear it as a badge of honor, and I feel very vindicated because, in the last six months, there have been two long studies-slash-articles, one in the Atlantic, one in the New York Times, that found out that the vast majority, not only of people but of liberals, don’t like this bullshit. They don’t think it’s good. The people who are supposedly being protected by the social justice warriors, they themselves don’t like it.

It’s insincere. Most of the stuff on Twitter and in a lot of these so-called mainstream websites, they’re not really interested in the truth or justice. What they’re interested in is clicks, getting people to click and getting scalps, finding somebody who somehow stepped a little out of line, social justice warrior-wise, and we could disappear that person. We’ve seen so many people who have been disappeared for it. We’re coming to live in an age where no one can ever make any sort of mistake, even in the past.

It’s also lazy. I think people see that. You’re not really doing anything when you get on Twitter and say, “Oh, this person was fat shaming, or this person said this 20 years ago, and it’s not acceptable anymore.” You know what? You want to do something? Go down to Georgia and join Jimmy Carter’s Habitat for Humanity and build somebody a house.

I wanted to ask you about Rep. Katie Porter’s guest spot from a couple of weeks ago [she took on Maher’s comments about abortion]. You were criticized for your reaction, which definitely got a lot of attention.

I would say there’s an example of me, a liberal, just differing by degrees with the group-think and not acceptable among the liberals. They, again, are … they got diversity except with ideas.

I’m always happy when the Democrats have a witty, personable new star, and she is. All I can tell you is the next day I came into the office and I said, “Book her again as soon as possible.”

You have new bosses with WarnerMedia, AT&T. Has anything changed? Are they keeping a little more tabs on you? What’s going on with your new corporate bosses?

It’s all very new. I have no idea what they think of this show. I talked to our new head of entertainment, Bob Greenblatt, he seems like a great guy, but he’s done this before. He’s not new to this. He’s just somebody AT&T brought in. So that seems like it’s going to be a nice relationship, but I’ll never have a better boss than Richard Plepler. He was a news junkie, so he loved a show like this.

And HBO’s model has always been if they like you and believe in you, they leave you alone and that’s why HBO has always turned out such amazing programming and got the best people to come on-board. But it’s always been a boutique network, and I understand the thinking, I’m just guessing here, of the new corporate overlords that in this new atmosphere we’re in with streaming networks like Netflix and Hulu and Amazon, that have a great deal of content, that it’s going to be harder and harder to survive if you only have six shows on at a time.

I am assuming they’re going to probably want more content. I’m hoping that’s good for me. I’m hoping that they’ll leave me alone and just want more. And that if you want more, then you don’t want to start getting rid of people. But I have no idea and if we never talk and we can just continue to do this, that would be fine with me. I certainly have nothing bad to say, I just don’t have anything to say because I don’t know.

Given what happened at ABC and how Politically Correct was canceled, do you ever worry that you could say one thing one night on the show and that could potentially change everything?

I can’t think about it because if I think about it, I’ll never do the show that I want to do. It’s completely antithetical for me living up to what I consider the charter, the bond between me and my audience. If I start pulling punches and playing it safe, well, safe you can see on every other channel. Everybody else is very safe, they are never going to say something that upsets you. It certainly doesn’t upset the overwhelmingly liberal audience that watches these shows. I might. I mean, I’ve said things that upset both the conservatives who were upset after 9/11, and I was a liberal free speech martyr then, and the reverse.

If it ends with me getting canceled or fired, I’ve been through that before. There’s something great about being canceled or fired in your past because you live through it and you realize, “Oh, that wasn’t so bad. I just went to a different network.” And if it happened again, I think I could get a job somewhere. I know is the technology keeps changing, and every time it does, all I hear is, “But they need content.” Well, I’m content, so I think I’ll be okay.

Any standout moments from the 500 episodes that come to mind?

I would say what I did on my 60th birthday. I don’t usually talk about my personal life, and I thought, “Well, I’m 60, I got to make something out of this.” I put out a petition for Obama to come on the show, which eventually worked. He had done every show, it was near the end of his term, and I was like why not us? I’ve been pretty damn supportive, and I get it that we are a much more dangerous show. Anything could happen, anything could be said, and that’s why politicians, a lot of them, stay away. It is risky. But considering that I gave him a million dollars, that’s a pretty big show of support.

I treat the audience as if they are my real friend that never got married and never had kids, and I said, “This is the relationship of my life, me and the audience. Do this one thing for me, get Obama to come on.” That was a real meaningful moment for me.”

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Per Deadline “A&E Network and Essential Media Group (Saving Mr. Banks, Miracle on Everest) continue to push the boundaries in the genre of high-stakes stunts on live TV with new series The Impossible Live (working title). A&;E has ordered five two-hour episodes of the series, which they describe as the most ambitious live stunt series ever attempted.

“A&E and Essential have also been partnering with daredevil Bello Nock and his company Opportunity Nocks, Inc. on previously announced Volcano Walk Live (working title), a live special showcasing the longest, most complicated and dangerous stunt ever attempted – a world record high-wire walk over an active volcano. The special, which had been in development, has gotten an official green light.

“‘The Impossible Live will take viewers on a wild ride as they witness, in real time, the world’s greatest daredevils risking life and limb to pull off stunts worthy of a Hollywood blockbuster film, but without the benefits of retakes and CGI,’ said Elaine Frontain Bryant, Executive Vice President and Head of Programming for A&E. ‘The excitement of pulling off the impossible is why we have been working together with Bello, his team and Essential for the last year to continue to develop the biggest stunt of them all.’

“Over the course of five two-hour episodes, The Impossible Live (wt) will feature the world’s greatest daredevils attempting the most death-defying stunts ever seen on live television; including a parachute-less jump from a plane onto a speeding train, a motorcycle jump off a cliff in which the daredevil must drop the bike and grab on to the skids of a passing helicopter before the motorcycle plummets to the ground below; and the highest wire walk ever attempted from one hot air balloon to another.

“Nock, along with his dare-daughter, Annaliese, will attempt the hot air balloon wire walk in The Impossible Live (wt). The series will begin pre-production this fall.

“About Volcano Walk Live, Bello says: ‘We’ve spent two years traveling the world with top volcanologists and engineers planning this untethered world record-breaking high-wire walk. We first considered a volcano in Nicaragua but recent geological events have made the lava lake too small so we decided on a larger, more active and far more challenging volcano in East Africa. This is the wire walk that no one will ever be able to top!’

“A&E has established a footprint in live programming on cable with its hit series Live PD and freshman series Live RescueThe Impossible Live (wt) will be the network’s third continuing live series.

The Impossible Live and Volcano Walk Live are produced and developed by Essential Media Group, part of the KEW Media Group, with Jesse Fawcett, Greg Quail and Chris Hilton serving as executive producers. Elaine Frontain Bryant, Shelly Tatro, and Brad Holcman are executive producers for A&E.”

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Per Variety, “Paramount Network is doubling down on its relationship with Taylor Sheridan.

“The cable network has ordered a new unscripted series created by Sheridan, the co-creator of the hit Paramount Network scripted series Yellowstone. The series is titled The Last Cowboy. It chronicles the lives of eight men and women who compete on the regular reining circuit, a western-based competition where riders guide horses through a precise pattern of circles, spins and stops. In conjunction with the series, Sheridan is also launching a reining event called Run for a Million, the sport’s first-ever, arena-based competition with a $1 million purse, marking the largest in its history. The upcoming event will take place on August 15-17, 2019 at the South Point Arena and Equestrian Center in Las Vegas, with the competition serving as the series finale.

“‘The grit, beauty and tenacity of the West are linked to America’s legacy and my creative drive has been to explore those, in all their complexities, in film and scripted television,’ Sheridan said. ‘Now, with The Last Cowboy and Run for a Million, we’re bringing the real men and women, and their dedication to the sport of reining, to the small screen, an unmasking of the cowboy world that we hope TV audiences will enjoy.’

“News of the series comes after the Season 2 premiere of Yellowstone, which was renewed for a third season before the second has even premiered. The show is easily the most successful launch for Paramount Network, averaging 5.1 million viewers per episode across platforms in its first season. The Last Cowboy joins other Paramount Network unscripted series such as Bar Rescue, Lip Sync Battle, and Ink Master, which are all holdovers from when the network was still Spike TV.

The Last Cowboy is produced Truly Original, which also produces “Ink Master,” with Glenda Hersh and Steven Weinstock serving as executive producers. Taylor Sheridan, 101 Studios, and David C. Glasser serve as executive producers. Tori Socha oversees the production for Paramount Network.”

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From The Hollywood Reporter: “Netflix is adding to its lineup of family-friendly programming with a comedy featuring a talking dog.

“The streamer has ordered The Healing Powers of Dude, an eight-episode, single-camera comedy centered on Noah, an 11-year-old boy who has social anxiety disorder. When he starts middle school, he turns to Dude, "a sarcastic emotional support dog who might need Noah as much as Noah needs him," per Netflix's description of the series.

The Healing Power of Dude comes from creators Erica Spates and Sam Littenberg-Weisberg (Victorious, Coop and Cami Ask the World) and is based on personal experiences with social anxiety. The series stars Tom Everett Scott (I'm Sorry), Larisa Oleynik (Mad Men, Netflix's Trinkets), Laurel Emory, Mauricio Mara, Sophie Jaewon Kim and newcomer Jace Chapman, along with Dude the dog.

“Spates and Littenberg-Weisberg executive produce with Dan Lubetkin of Blue Ant Studios and Richie Keen (It's Always Sunny in Philadelphia), who directed four of the eight episodes. Prince of Peoria's Chris Phillips is producer.

“The production worked with behavioral health consultants and emotional support animal consultants along with RespectAbility, which works on inclusion efforts for people with disabilities.

“The series joins a growing lineup of live-action shows targeted at kids and families on the streaming giant, including Prince of PeoriaAlexa & Katie, No Good Nick and Malibu Rescue. Netflix also has several other series on deck, including a Baby-Sitters Club reboot based on the beloved book series, Team Kaylie, Family Reunion and The Expanding World of Ashley Garcia.”